From its establishment in 1936, Izmir Culture Park (ICP) became a historical marker of Turkish modernity, with its leisure and entertainment spaces celebrating modern values and conditions, while functioning as a medium for adapting them. Casinos, entertainment spaces with live music and food service, were a significant component of the park’s entertainment life from the very beginning. They diverged from their earlier cultural forms and aesthetics during the 1970s in response to the demands in the entertainment sector and the accompanying spatial needs, as well as women’s changing social position in the 1970s. Charting this divergence, and tracing how it came about, this study examines the ways in which ICP’s changing entertainment culture led the way in producing an alternative space -the matinee- for women. This study builds on existing histories of ICP by investigating and introducing new layers of meaning on women’s spatiality. It contributes to gender studies by analyzing how matinees encouraged women to participate in leisure activities, how women experienced this public space, and how they transformed it through their practices in living out their modernity. Women transformed the abstract space of ICP casinos into space casino lived space. Ligde ilk maçına 11 Mart'ta Kasımpaşa karşısında çıkacak olan space sarı kırmızılılar, yeni yıldızı Zaniolo'yu transfer ettiği İtalyan devi Roma ile hazırlık maçı oynayacak.
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Space casino. From its establishment in 1936, Izmir Culture Park (ICP) became a historical marker of Turkish modernity, with its leisure and entertainment spaces celebrating modern values and conditions, while functioning as a medium for adapting them. Casinos, entertainment spaces with live music and food service, were a significant component of the park’s entertainment life from the very beginning. They diverged from their earlier cultural forms and aesthetics during the 1970s in response to the demands in the entertainment sector and the accompanying spatial needs, as well as women’s changing social position in space casino the 1970s. Charting this divergence, and tracing how it came about, this study examines the ways in which ICP’s changing entertainment culture led the way in producing an alternative space casino space -the matinee- for women. This study builds on existing histories of ICP by investigating and introducing new layers of meaning on women’s spatiality. It contributes to gender studies by analyzing how matinees encouraged women to participate in leisure activities, how women experienced this public space, and how they transformed it through their practices in living out their modernity. Marmara üniversitesi diş hekimliği.
Space casino. From its establishment in 1936, Izmir Culture Park (ICP) became a historical marker of Turkish modernity, with its leisure and entertainment spaces celebrating modern values and conditions, while functioning as a medium for adapting them. Casinos, entertainment spaces with live music and food service, were a significant component of the park’s entertainment life from the very beginning. They diverged from their earlier cultural forms and aesthetics during the 1970s in response to the demands in the entertainment sector and the accompanying spatial needs, as well as women’s changing social position in the 1970s. Charting this divergence, and tracing how it came about, this study examines the ways in which ICP’s changing entertainment culture led the way in producing an alternative space -the matinee- for women. This study builds on existing histories of ICP by investigating and introducing new layers of meaning on women’s spatiality. It contributes to gender studies by analyzing how matinees encouraged women to participate in leisure activities, how women experienced this public space, and how they transformed it through their practices in living out their modernity. Women transformed the abstract space of ICP casinos into lived space.
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